Latin literature includes the essays, histories, poems, plays, and other writings of the ancient Romans. In many ways, it seems to be a continuation of Greek literature, using many of the same forms. But Latin literature also mirrored the life and history of ancient Rome.
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Much Latin writing reflects the Romans' interest in rhetoric, the art of speaking and persuading. Public speaking had great importance for educated Romans because most of them wanted successful political careers. When Rome was a republic, effective speaking often determined who would be elected or what bills would pass. After Rome became an empire, the ability to impress and persuade people by the spoken word lost much of its importance. But training in rhetoric continued to flourish and to affect styles of writing. A large part of rhetoric consists of the ability to present a familiar idea in a striking new manner that attracts attention. Latin authors became masters of this art of variety.
Latin is a highly inflected language, with many grammatical forms for various words. As a result, it can be used with a pithiness and brevity unknown in English. It also lends itself to elaboration, because its tight syntax holds even the longest and most complex sentence together as a logical unit. Latin can be used with striking conciseness, as in the works of Sallust and Tacitus. Or it can have wide, sweeping phrases, as in the works of Livy and the speeches of Cicero.
Latin lacks the rich poetic vocabulary that marks Greek poetry. Some earlier Latin poets tried to make up for this deficiency by creating new compound words, as the Greeks had done. But Roman writers seldom invented words. Except in epic poetry, they tended to use a familiar vocabulary, giving it poetic value by imaginative combinations of words and by rich sound effects. Rome's leading poets had great technical skill in the choice and arrangement of language. They also had an intimate knowledge of the Greek poets, whose themes appear in almost all Roman literature.
Latin moves with impressive dignity in the writings of Lucretius, Cicero, or Virgil. It reflects the seriousness and sense of responsibility that characterized the ruling class of Rome during the great years of the republic. But the Romans could also relax and allow what Horace called the "Italian vinegar" in their systems to pour forth in wit and satire.
The best Latin literature has been translated into most major languages. Until the 1900s, the majority of educated people in the West knew at least some Latin. Today, fewer people are familiar with the language, but an increasing number enjoy Latin literature through translations.
Some translators paraphrase — that is, they try to keep the beauty and spirit of the original work without providing the exact meaning of each phrase. During the 1600s and 1700s, a number of English poets translated much Latin poetry by paraphrasing. Perhaps the outstanding example was John Dryden's English version of the poems of Virgil, published in 1697.
Other translators provide literal translations, trying to imitate exactly the writings of Latin authors. But these translations lose much of the beauty and style that made the originals works of art. The chief value of literal translations lies in helping students read Latin more easily.
Formal Latin literature began in 240 BC, when a Roman audience saw a Latin version of a Greek play.[1] The adaptor was Livius Andronicus, a Greek who had been brought to Rome as a prisoner of war in 272 BC. Andronicus also translated Homer's Greek epic the Odyssey into an old type of Latin verse called Saturnian. The first Latin poet to write on a Roman theme was Gnaeus Naevius during the 200s BC. He composed an epic poem about the first Punic War, in which he had fought. Naevius's dramas were mainly reworkings of Greek originals, but he also created tragedies based on Roman myths and history.
Other epic poets followed Naevius. Quintus Ennius wrote a historical epic, the Annals (soon after 200 BC), describing Roman history from the founding of Rome to his own time. He adopted Greek dactylic hexameter, which became the standard verse form for Roman epics. He also became famous for his tragic dramas. In this field, his most distinguished successors were Marcus Pacuvius and Lucius Accius. These three writers rarely used episodes from Roman history. Instead, they wrote Latin versions of tragic themes that the Greeks had already handled. But even when they copied the Greeks, they did not translate slavishly. Only fragments of their plays have survived.
We know much more about early Latin comedy, because we have 20 complete plays by Plautus and 6 by Terence.[2] These men modeled their comedies on Greek plays known as New Comedy. But they treated the plots and wording of the originals freely. Plautus scattered songs through his plays and increased the humor with puns and wisecracks, plus comic actions by the actors. Terence's plays were more polite in tone, dealing with domestic situations. His works provided the chief inspiration for French and English comedies of the 1600s, and even for modern American comedy.
The prose of the period is best known through On Agriculture (160 BC) by Cato the Elder. Cato also wrote the first Latin history of Rome and of other Italian cities.[3] He was the first Roman statesman to put his political speeches in writing as a means of influencing public opinion.
Early Latin literature ended with Gaius Lucilius, who created a new kind of poetry in his 30 books of Satires (100s BC). He wrote in an easy, conversational tone about books, food, friends, and current events. In the early AD 100s, Juvenal perfected the biting form of satire that has influenced many later writers.
Latin literature was at its height from 81 BC to AD 17. This period began with the first known speech of Cicero and ended with the death of Ovid.
Cicero has traditionally been considered the master of Latin prose.[4][5] The writing he produced from about 80 BC until his death in 43 BC exceeds that of any Latin author whose work survives in terms of quantity and variety of genre and subject matter, as well as possessing unsurpassed stylistic excellence. Cicero's many works can be divided into four groups: (1) letters, (2) rhetorical treatises, (3) philosophical works, and (4) orations. His letters provide detailed information about an important period in Roman history and offer a vivid picture of the public and private life among the Roman governing class. Cicero's works on oratory are our most valuable Latin sources for ancient theories on education and rhetoric. His philosophical works were the basis of moral philosophy during the Middle Ages. His speeches inspired many European political leaders and the founders of the United States.
Julius Caesar and Sallust were outstanding historical writers of Cicero's time. Caesar wrote commentaries on the Gallic and civil wars in a straightforward style to justify his actions as a general. Sallust adopted an abrupt, pointed style in his historical works. He wrote brilliant descriptions of people and their motives.
The birth of lyric poetry in Latin occurred during the same period. The short love lyrics of Catullus have never been surpassed in emotional intensity. Catullus also wrote masterful poems that attacked his enemies. In his longer poems, he suggested beautiful images in rich, delicate language.
In contrast, the poet Lucretius interpreted the ideas of the Greek philosopher Epicurus. Lucretius's work De Rerum Natura (55 BC) contains many majestic passages. It is a triumph of poetic genius over unpoetic matter.
The most learned writer of the period was Varro. He wrote about a remarkable variety of subjects, from religion to poetry. But only his writings on agriculture and the Latin language survive in their complete form.
The emperor Augustus took a personal interest in the literary works produced during his years of power from 27 BC to AD 14. This period is sometimes called the Golden Age of Latin Literature. Virgil published his pastoral Eclogues; the Georgics, perhaps the most beautiful poem ever written about country life; and the Aeneid, an epic poem describing the events that led to the creation of Rome. Virgil told how the Trojan hero Aeneas became the ancestor of the Roman people. Virgil also provided divine justification for Roman rule over the world. Although Virgil died before he could put the finishing touches on his poem, it was soon recognized as the greatest work of Latin literature.[6][7] Critics still agree on this judgment.
Virgil's friend Horace wrote Epodes, Odes, Satires, and Epistles. The perfection of the Odes in content, form, and style has charmed readers for hundreds of years. The Satires and Epistles discuss ethical and literary problems in an urbane, witty manner. Horace's Art of Poetry, probably published as a separate work, greatly influenced later poetic theories. It stated the basic rules of classical writing as the Romans understood and used them. After Virgil died, Horace was Rome's leading poet.[8]
The Latin elegy reached its highest development in the works of Tibullus, Propertius, and Ovid. Most of this poetry is concerned with love. Ovid also wrote the Fasti, which describes Roman festivals and their legendary origins. Ovid's greatest work, the Metamorphoses weaves various myths into a fast-paced, fascinating story. Ovid was a witty writer who excelled in creating lively and passionate characters. The Metamorphoses was the best-known source of Roman mythology throughout the Middle Ages and the Renaissance. It inspired many poets, painters, and composers.
In prose, Livy produced a history of the Roman people in 142 books. Only 35 survive, but they are a major source of information on Rome.[9]
From the death of Augustus in AD 14 until about 200, Roman authors emphasized style and tried new and startling ways of expression. During the reign of Nero from 54 to 68, the Stoic philosopher Seneca wrote a number of dialogues and letters on such moral themes as mercy and generosity. In his Natural Questions, Seneca analyzed earthquakes, floods, and storms. Seneca's tragedies greatly influenced the growth of tragic drama in Europe. His nephew Lucan wrote the Pharsalia (about 60), an epic poem describing the civil war between Caesar and Pompey. The Satyricon (about 60) by Petronius was the first Latin novel.[10] Only fragments of the complete work survive. It describes the adventures of various low-class characters in absurd, extravagant, and dangerous situations, often in the world of petty crime.
Epic poems included the Argonautica of Gaius Valerius Flaccus, the Thebaid of Statius, and the Punica of Silius Italicus. At the hands of Martial, the epigram achieved the stinging quality still associated with it. Juvenal brilliantly satirized vice.
The historian Tacitus painted an unforgettably dark picture of the early empire in his Histories and Annals, both written in the early 100s. His contemporary Suetonius wrote biographies of the 12 Roman rulers from Julius Caesar through Domitian. The letters of Pliny the Younger described Roman life of the period. Quintilian composed the most complete work on ancient education that we possess. Important works from the 100s include the Attic Nights of Aulus Gellius, a collection of anecdotes and reports of literary discussions among his friends; and the letters of the orator Marcus Cornelius Fronto to Marcus Aurelius. The most famous work of the period was Metamorphoses, also called The Golden Ass, by Apuleius. This novel concerns a young man who is accidentally changed into a donkey. The story is filled with colorful tales of love and witchcraft.
Pagan Latin literature showed a final burst of vitality in the late 200s and 400s. Ammianus Marcellinus in history, Quintus Aurelius Symmachus in oratory, and Ausonius and Rutilius Claudius Namatianus in poetry all wrote with great talent. The Mosella by Ausonius demonstrated a modernism of feeling that indicates the end of classical literature as such.
At the same time, other men laid the foundations of Christian Latin literature during the 300s and 400s. They included the church fathers Augustine of Hippo, Jerome, and Ambrose, and the first great Christian poet, Prudentius.
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